tag:blogger.com,1999:blog-75790052024-03-14T00:44:02.875-07:00strange bungalowi named this blog after a postcard i desperately tried to win on ebay from 1909 featuring a black family living inside a gigantic watermelon. the card was entitled "strange bungalow". i can't get it out of my head for a myriad of reasons. i decided to use it as the namesake for my musings about art/architecture and all the social issues that go along with creative work in the public realm. yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.comBlogger299125tag:blogger.com,1999:blog-7579005.post-51827449755375017232012-04-09T17:47:00.001-07:002012-04-09T18:37:37.038-07:00animating democracymy favorite <a href="http://animatingdemocracy.org/sites/default/files/NThompson%20Trend%20Paper.pdf">source</a> material for my comparative analysis paper. <br />
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<b>Socially Engaged Contemporary Art: Tactical and Strategic Manifestations</b><br />
<i>By Nato Thompson</i><br />
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Artists who are committed to social justice through their work must navigate a complex contemporary art world characterized by numerous political positions and aesthetic expectations. In this paper, Nato Thompson observes two overarching approaches taken by artists—strategic and tactical—that operate against a political and economical infrastructure. Thompson describes successful examples in both categories, including sustained place-based work; culturally engaged radical pedagogy; engaged museums; engaged academic institutions; and a variety of work that raises questions rather than resolving them. Among the organizations highlighted as doing strategic socially engaged art are the Center for Urban Pedagogy and the Queens Museum; their efforts are infrastructural and sustained in a place over time. Artists highlighted as working through tactical and often guerrilla-style forms of intervention include Critical Art Ensemble and its Free Range Grain project and Paul Ramirez Jonas’ Key to the City implemented in partnership with Creative Time.<br />
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<b>read it. its nice.</b> i mean bourriand and bishop were good too. just different.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-28968778622141399732011-12-21T08:04:00.000-08:002011-12-21T09:52:05.542-08:00"young money" by myla dalbesioyou know who, recently put me on to <a href="www.myladalbesio.com">Myla DalBesio</a>, who according to her website is: an American multi-disciplinary visual artist, specializing in photography, performance, video, and sculpture. Born in Harrisburg, Pennsylvania in <b>1987</b> [dang, what am i doing w/my life???], she studied Fine Arts at the University of Wisconsin-Madison and is currently based in New York City. Her work is greatly influenced by religion and ritualistic practices, the mystic patterns of the natural world, and the underlying sexual perversions within all humans. <br />
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<b>super interesting stuff.</b><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi64Ius_snzWrNfQH3g6yp_EpXU2T5hBerhFar8RXyjZp9dctJgAwbSNKXHROUCeNverS-S_TZTu0DqIoOuGleKwcNztyuwrFrkGIQgWjXyAjWXsAJhevlpzB7XT9lmVeWQyp7PkQ/s1600/16nftu-tmagArticle.jpg" imageanchor="1" style=""><img border="0" height="320" width="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi64Ius_snzWrNfQH3g6yp_EpXU2T5hBerhFar8RXyjZp9dctJgAwbSNKXHROUCeNverS-S_TZTu0DqIoOuGleKwcNztyuwrFrkGIQgWjXyAjWXsAJhevlpzB7XT9lmVeWQyp7PkQ/s320/16nftu-tmagArticle.jpg" /></a></div><br />
<b>In the hyperallergic <a href="http://hyperallergic.com/31321/lap-dance-artist-talks-power-whats-really-for-sale-evangelical-christians/">interview</a> about her piece <a href="http://www.myladalbesio.com/index.php?/performance/young-money/">"young money"</a>, and her work in general she says:</b> <i>"I have been signed to Ford as a model for years, and after spending so much time on that side of the fashion industry, one kind of starts to view the body as a commodity. Personality and talent certainly play a role in the successes of a model, but when it comes down to brass tacks, <b>it’s only your appearance and what you can do with your body that matters</b>. In theory, it’s not unlike the position of a stripper. In both situations <b>you are selling an image, an idea of yourself, and that’s how you have to work it, regardless of your true, internal identity</b>. That’s where the first ideas for the performance originated."<br />
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"<b>I own my body, it is mine and I refuse to allow people to dictate what I can and cannot do with it</b>. I have the courage and conviction to use it as a tool in provoking a greater thought process in the minds of individuals, and there is nothing anti-feminist about that sentiment at all. It would be naive to ignore the fact that some attendees didn’t pick up on the deeper meaning. Were there viewers who only cared to stare at my breasts and who left thinking of it as nothing but a good time? Certainly. And yes, that does make me feel taken advantage of. But it was my choice to put myself in that situation, no one forced me into it. I am willing to give of myself for the growth of others, and that is sacrifice, not exploitation."</i><br />
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sooo...idk about this piece in particular, having not been there to experience the performance i reserve comment on the photos. to me if its performance, its hard to 'evaluate' it based on a flat image. what i do really appreciate is what she has to say about her work. that is what resonates with me. besides the fact that professionally, i am everyday immersed in thinking through the healthy construction, preservation and expression of sexual self, artistically i'm interested in exploring some of this in my work but less as such a dramatic spectacle in a gallery but uncovering all of the ways that <b>we</b> [insert (not just sexually) marginalized group here] experience the spectacle of exploitation on a regular/every-day basis in regular places (work, school, street) 'under' the radar of majority culture and the secret society-ness of those who not only experience, recognize and critique, subvert, re-purpose/power these identities as such. unfortunately i don't think the body/appearance as a commodity and what you can do with your body being the only thing that matters is unique to strippers and models. its something i'm painfully aware of as i move through the world at all times.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com3tag:blogger.com,1999:blog-7579005.post-88222816057760329682011-11-15T15:20:00.000-08:002011-11-15T15:38:15.572-08:00afro-surreal:::i mentally dabble in this but its intricately woven through my ethoscheck <a href="http://afrosurrealsanfrancisco.tumblr.com/">it</a>. took the words outta my mouth (or brain. or heart). if only i had time and opportunity to play in this sandbox. one day. its coming. on pause for now but ooooooh hearts...<br />
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<b>YESSSSS</b> to all this:<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyJTVtPo_54zCEsbzQrTi6jwd_AAgDQK8kgxxMoABxF5CkWJcEyu30d5KHGhRHa2Lhx5cN3v9Ft60W0fdjYXbRqJPhlLcJ82XvdeozbQpBPI7J-qysmR4zK3U8T7_LZipLcj2xkg/s1600/tumblr_luo5xb47Ux1qi85gzo1_500.jpg" imageanchor="1" style=""><img border="0" height="320" width="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyJTVtPo_54zCEsbzQrTi6jwd_AAgDQK8kgxxMoABxF5CkWJcEyu30d5KHGhRHa2Lhx5cN3v9Ft60W0fdjYXbRqJPhlLcJ82XvdeozbQpBPI7J-qysmR4zK3U8T7_LZipLcj2xkg/s320/tumblr_luo5xb47Ux1qi85gzo1_500.jpg" /></a></div>(image from the tumblr, source??)<br />
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"2. Afro-Surreal presupposes that beyond this visible world, there is an invisible world striving to manifest, and it is our job to uncover it.<br />
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“3. Afro-Surrealists restore the cult of the past. We revisit old ways with new eyes. We appropriate 19th century slavery symbols like Kara Walker, and 18th century colonial ones like Yinka Shonibare. We re-introduce “madness” as visitations from the gods, and acknowledge the possibility of magic. We take up the obsessions of the ancients and kindle the dis-ease, clearing the murk of the collective unconsciousness as it manifests in these dreams called culture.”<br />
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3. Afro-Surrealists restore the cult of the past. We re-introduce “madness” as visitations from the gods, and acknowledge the possibility of magic. We take up the obsessions of the ancients and kindle the dis-ease, clearing the murk of the collective unconsciousness as it manifests in these dreams called culture.<br />
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4. Afro-Surrealists use excess as the only legitimate means of subversion, and hybridization as a form of disobedience” ~fiona foley<br />
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5. Afro-Surrealists strive for rococo: the beautiful, the sensuous, and the whimsical. We turn to Sun Ra, Toni Morrison, and Ghostface Killa. We look to Kehinde Wiley, whose observation about the black male body applies to all art and culture: “There is no objective image. And there is no way to objectively view the image itself.”<br />
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7. The Afro-Surrealist wears a mask while reading <a href="http://en.wikipedia.org/wiki/Léopold_Sédar_Senghor">Leopold Senghor</a><br />
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10. Afro-Surrealists create sensuous gods to hunt down beautiful collapsed icons."yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com3tag:blogger.com,1999:blog-7579005.post-85683803019485861652011-10-18T13:02:00.000-07:002011-10-18T13:03:51.630-07:00inspirationi'm having a good day and feeling like i should not give up. gonna make a push to salvage this semester. there's still 2 months so i feel like if i just.try.really.hard. i can make significant progress. this piece by <a href="http://www.lethaprojects.com/visuals/detail.php?i=1&c=outdoors&p=thumbnails">letha wilson</a> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLp0H8pKR8gYKvfg4fHl4Zi2aRf4ugT6TH3EPoMm4h5mRGyeTAAg0Pr3RS_zEn8zIs2bhQQs4TG4RLWlA-BXnhbwAkdWgKBM-3ketK0mcI0PhTJBzT-L94Wniflhnc2CEVhD3KSA/s1600/walltree1.jpg" imageanchor="1" style=""><img border="0" height="286" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLp0H8pKR8gYKvfg4fHl4Zi2aRf4ugT6TH3EPoMm4h5mRGyeTAAg0Pr3RS_zEn8zIs2bhQQs4TG4RLWlA-BXnhbwAkdWgKBM-3ketK0mcI0PhTJBzT-L94Wniflhnc2CEVhD3KSA/s320/walltree1.jpg" /></a></div>seems really interesting to me both aesthetically and conceptually in the sense that she's "framing" something that "we" the viewer usually take for granted. this is interesting if you think about it from a resistance lense in the sense that like the "occupy" events, they are calling attention to a group of people, set of conditions etc. that are taken for granted and/or over looked. i am thinking of doing something simple like this to simply "frame" an injustice or a set of conditions that i think are over-looked. i may also think of this where light is concerned..."shedding"/shining light on things that are normally over-looked or invisible. i'm going to attend a solar workshop with my artist mentor this weekend and hopefully that will glean some practical skill that could assist in doing something light related. slowly...(as hell) but surely...yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-85532206779275618552011-10-10T11:02:00.000-07:002011-11-10T09:44:07.065-08:00occupy all thingsStorefront for Art and Architecture is making a call for submissions for projects and strategies that offer a new, creative and productive way of spatial occupation for public demonstrations and actions in cities throughout the world. Gathering expertise from the various acts of civil occupation throughout the world during the last months, we ask architects, artists and citizens at large to offer their ideas for enabling acts of communication and action between the civil society and the structures of economic and political power.<br />
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Submission requirements: <br />
1 image [plan, diagram, photograph, code...] 11x11 inches, 300dpi jpg format<br />
A title and a text of 200 words maximum.<br />
Name or Pseudonim<br />
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Deadline:<br />
As soon as possible . December 1st, 2011.<br />
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Submissions:<br />
Please send your files to occupy@storefrontnews.org<br />
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Prizes: <br />
1st Prize: The possibility of a new world order<br />
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Submissions will be exhibited in a pop up installation at Storefront for Art and Architecture in New York in December and in the ongoing Storefront Strategies for Public Occupation Archive.<br />
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<b>though i am currently failing miserably at school stuff and using all of my brain power for running a NPO I have to admit. I'm ALL about this.</b> once again, i thank my <a href="www.unominuto.blogspot.com">muse</a> of 16 years for always putting me on to the new new.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com2tag:blogger.com,1999:blog-7579005.post-14169003093034913172011-09-12T14:13:00.000-07:002011-09-12T14:17:24.105-07:00subversion of everyday situations for extraordinary experiencesi ran across this "situation" in my alley. <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9o4BCXMIhrf0j97jZpx1Thjxl72N3dJ-NHhqip6JcXfBvDm_pdhEKyD0sQF7waaylI5WAvcYxuF6q5-yHQOAYFIHs94HpqYAL8X8tXI0MTfze0AnSA_xobGm2A6lymgJef9CiPQ/s1600/alley.jpg" imageanchor="1" style=""><img border="0" height="240" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9o4BCXMIhrf0j97jZpx1Thjxl72N3dJ-NHhqip6JcXfBvDm_pdhEKyD0sQF7waaylI5WAvcYxuF6q5-yHQOAYFIHs94HpqYAL8X8tXI0MTfze0AnSA_xobGm2A6lymgJef9CiPQ/s320/alley.jpg" /></a></div><br />
to some it seems like a pile of trash. for me, i stopped and pondered b/c it seemed strangely composed and like something if you tried to put it together it would never be as beautiful. immediately i started thinking of ways to use this moment...these objects...this place. as a site. i imagined the spaces and structure of the mattress serving as a framework for a speaker box/projector of things and people that happen there. besides a place of rest, the most immediate activity and purpose i think of is of sex, but so many other intimate domestic moments there and now discarded. what happens if i fabricate a memory and then project it at night for all to see and remember. i will try to collage something and post what i was imagining.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-7010962838921853542011-09-12T13:54:00.000-07:002011-09-12T13:54:37.238-07:00guerilla girls do hull houselast week, i made it out to see the <a href="http://www.guerrillagirls.com/">guerilla girls</a> give a lecture in honor of the birthday of <a href="http://www.hullhouse.org/aboutus/history.html">Jane Adams</a>.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2F44X6zH2Go_qnkKy5dBFP8V6fdVkHjfX2c_Dr5URhgyVGjJzwklJwlGNqZgWMX4Whn1So7zYks78vlh-UQybartLt24fj-F0Izd1Xpntxa2ZFINxGWy1GYMW4d91brXfD3pIZg/s1600/GG-Fist1.jpg" imageanchor="1" style=""><img border="0" height="320" width="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2F44X6zH2Go_qnkKy5dBFP8V6fdVkHjfX2c_Dr5URhgyVGjJzwklJwlGNqZgWMX4Whn1So7zYks78vlh-UQybartLt24fj-F0Izd1Xpntxa2ZFINxGWy1GYMW4d91brXfD3pIZg/s320/GG-Fist1.jpg" /></a></div><br />
seeing them in person i was definitely inspired by the interventionist concepts and ideas that they represent but also i got into a provocative discussion afterward with some other audience members that raised some critical questions about them and their work as well. a lot of the work seemed dated and i wondered what they are currently working on or how to tackle current issues, whether their media change or stay the same as a calling card of sorts and lastly how they are ensuring/continuing the legacy of the guerilla girls. being anonymous, it seems like such a tremendous opportunity to create a whole new masked crop of guerilla girls to continue the work. i don't think any of these questions were answered but it definitely gave me some things to chew on where medium/style etc. are concerned, as they definitely have a "calling card" style of sorts...which is especially interesting in this whole robin-hood of the art world concept. this is a conversation has come up for me a couple times, from the residency to a conversation that i recently had with my new mentor. e.g. how important is style in communicating your message and how do you manipulate/subvert existing popular culture/styles to mobilize people around an issue area? and is using popular culture iconography from the 80's effective today? not so much i don't think but all really interesting questions to adapt to 2011.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-23511192982640283702011-08-23T07:10:00.000-07:002011-08-23T07:10:34.208-07:00"hand in glove"right up my alley. don't mind if i do...register that is.<br />
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"Join threewalls for a national convergence of artists and independent organizers working at the crossroads of creative administration and studio practice. This four-day event includes the Hand-in-Glove Conference on grassroots creative activity and innovative organizing models across the country and the release of PHONEBOOK 3, a directory of independent art spaces, programming, and projects throughout the United States and a collection of critical essays written by the people who run them." more <a href="http://three-walls.org/programs/conferences-symposiums/">here</a>yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-26854137921499571462011-08-18T20:54:00.000-07:002011-08-18T20:56:24.966-07:00mapping the space of desireok, i am admittedly behind on my creative work...i guess thats what happens when you dip off to indonesia for a month after residency. but i am also newly inspired. hope to be making and posting several things i've *started* over the next few weeks. but i *am* reading and on pace with the academic portion of things. just ran across this little diddy <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBraaDuL2MQ7IO7zXAddy_oSOwuH8sxkxdTBiSQLqcteb9QUmvd9NusexalAmIWhjqgdsQBLLO75hRXCK6jn5E-YioSwWQIONPTxzGCFxIopRkgSoyXV6bj56eWeGlTVRq24t3nQ/s1600/insurgent+public+space.jpg" imageanchor="1" style=""><img border="0" height="320" width="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBraaDuL2MQ7IO7zXAddy_oSOwuH8sxkxdTBiSQLqcteb9QUmvd9NusexalAmIWhjqgdsQBLLO75hRXCK6jn5E-YioSwWQIONPTxzGCFxIopRkgSoyXV6bj56eWeGlTVRq24t3nQ/s320/insurgent+public+space.jpg" /></a></div>from one of my mentors <a href="http://larch.be.washington.edu/people/jeff/jeff.php">jeff hou</a> from UW. *really* excited to get inside and read: mapping the space of desire:brothel as a city landmark by yung-teen annie chiu. went to a sex-worker film fest here in chicago which was *awesome* and made me think in complex ways about my work and the intermingling/layering of issues. anyhoo hopefully i'll be actually *posting* some mapping exercises as such as well.we'll see. gotta secure an artist mentor asap. so far asked 2 ppl and folks are super slow to respond. as in they haven't. sigh. not getting discouraged. got 4 months still till residency 2. <br />
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yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-4563766682717075182011-07-28T22:24:00.000-07:002011-07-28T22:24:47.305-07:00David Hammons 10 Things (1986)as i'm finishing up my residency summary which is due monday and which i totally meant to turn in before i left the country...i am starting to look up some of the artists that came up in my critiques. one of which is <a href="http://en.wikipedia.org/wiki/David_Hammons">david hammons</a>. i am definitely inspired by his manifesto of sorts. i have written a few myself over the years. i'll have to dig them up and see if i can start to knit together my writing with my images/proposals.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZAnpu0e9rQXKD9EKwXfLTz3b5eU0uK1nwjP4n5u9bq5ArJNPs_ONgcWUXzZ2Du4UfED6jy5iYNGFfwgOlQ2oe8HgTFuNlGX1vNZUZ5z39pXCScownNU8OSB-I7auJzUvEnLHaDg/s1600/hammons.jpg" imageanchor="1" style=""><img border="0" height="320" width="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZAnpu0e9rQXKD9EKwXfLTz3b5eU0uK1nwjP4n5u9bq5ArJNPs_ONgcWUXzZ2Du4UfED6jy5iYNGFfwgOlQ2oe8HgTFuNlGX1vNZUZ5z39pXCScownNU8OSB-I7auJzUvEnLHaDg/s320/hammons.jpg" /></a></div><br />
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<b>anyhoo, my favorites of his are 4,5 & 8 (9's not so bad either) :</b><br />
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<b>4.</b> I JUST LOVE THE HOUSES IN THE SOUTH, THE WAY THEY BUILT THEM. THAT NEGRITUDE ARCHITECTURE. I REALLY LOVE TO WATCH THE WAY BLACK PEOPLE MAKE THINGS, HOUSES OR MAGAZINE STANDS IN HARLEM, FOR INSTANCE. JUST THE WAY WE USE CARPENTRY. NOTHING FITS, BUT EVERYTHING WORKS. THE DOOR CLOSES, IT KEEPS THINGS FROM COMING THROUGH. BUT IT DOESN'T HAVE THAT NEATNESS ABOUT IT, THE WAY WHITE PEOPLE PUT THINGS TOGETHER; EVERYTHING IS A THIRTY-SECOND OF AN INCH OFF. <br />
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<b>5.</b> THAT'S WHY I LIKE DOING STUFF BETTER ON THE STREET, BECAUSE THE ART BECOMES JUST ONE OF THE OBJECTS THAT'S IN THE PATH OF YOUR EVERYDAY EXISTENCE. IT'S WHAT YOU MOVE THROUGH, AND IT DOESN'T HAVE ANY SENIORITY OVER ANYTHING ELSE. <br />
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THOSE PIECES WERE ALL ABOUT MAKING SURE THAT THE BLACK VIEWER HAD A REFLECTION OF HIMSELF IN THE WORK. WHITE VIEWERS HAVE TO LOOK AT SOMEONE ELSE'S CULTURE IN THOSE PIECES AND SEE VERY LITTLE OF THEMSELVES IN IT. <br />
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<b>8.</b> IF YOU KNOW WHO YOU ARE THEN IT'S EASY TO MAKE ART. MOST PEOPLE ARE REALLY CONCERNED ABOUT THEIR IMAGE. ARTISTS HAVE ALLOWED THEMSELVES TO BE BOXED IN BY SAYING "YES" ALL THE TIME BECAUSE THEY WANT TO BE SEEN, AND THEY SHOULD BE SAYING "NO." I DO MY STREET ART MAINLY TO KEEP ROOTED IN THAT "WHO I AM." BECAUSE THE ONLY THING THAT'S REALLY GOING ON IS IN THE STREET; THAT'S WHERE SOMETHING IS REALLY HAPPENING. IT ISN'T HAPPENING IN THESE GALLERIES. <br />
-----yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-70299287686059618242011-07-09T09:23:00.000-07:002011-07-09T09:23:13.536-07:00light reading...<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTC2kqgrOpcDo9w4czetHvE0rhYJX7M0xUeKANips9dDDtjjAkN8gMLeaARoLqTkvhJM_IXl3hI6ZtdLamISOH5p464IHXjPGB7BRww-w0Jwij-KIrT0f1iv65fFp-g13DVOf-Hw/s1600/reading.jpg" imageanchor="1" style=""><img border="0" height="320" width="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTC2kqgrOpcDo9w4czetHvE0rhYJX7M0xUeKANips9dDDtjjAkN8gMLeaARoLqTkvhJM_IXl3hI6ZtdLamISOH5p464IHXjPGB7BRww-w0Jwij-KIrT0f1iv65fFp-g13DVOf-Hw/s320/reading.jpg" /></a></div><br />
thanks <a href="http://www.unominuto.blogspot.com/">d.r.e.s.</a>yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-67881921931860075402011-07-07T13:15:00.000-07:002011-07-07T13:44:25.531-07:00we glow in the dark...call for submissions...a <a href="http://www.wgitd.com/p/torkwase-dyson_30.html">torkwase dyson</a> production!.. form <a href="http://muralarts.org/wgitd">here</a>. leaving the country in 3 days and its due the day i get back. not sure i can pull it together but an interesting opportunity that could totally be relevant for my scope of work...especially thinking metaphorically about the proverbial "we" and emerging from darkness...has all kinds of implications for exposing hidden narratives in public space. i'll see what i can do!yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-85435899443359754192011-06-16T17:37:00.000-07:002011-07-02T19:23:58.422-07:00and SCENE...enter AIBso as of June 16 i have begun a low-residency master of fine arts program. as a program requirement, i must document my progress via blogging. so rather than start a new one, i figure i will breathe new life into this one, as it has followed my trajectory of interests in this area for more than 7 years, even though the last few have been a little stale. <br />
<br />
anyhoo...one might ask...why in tarnation would i be engaged in such an endeavor. if i were seeking any more education wouldn't a PH.D. be the more appropriate pursuit? perhaps. except its not neccessarily about the degree for me, and even if it were, for art an MFA is a terminal degree just as a Ph.D. is for other disciplines, so it does expand a few options if certain opportunities present themselves. so here i am. <br />
<br />
i have always struggled with how to balance my creative self with my inescapable desire for justice and equality and have definitely leaned toward the latter in my professional pursuits. when i quit my job at the end of last year, it was because i felt imbalanced and i wanted to level things out by immersing myself into creative studies and practice in the way that i have immersed myself in public administrative practice. i decided unilaterally, to abandon all of my work experience and skills in that area. i applied for a low-residency MFA program that would allow me the flexibility to be in chicago with my family and networks but also push and propel me into a rigorous creative practice...however that unfolds. <br />
<br />
it hasn't worked out *exactly* as planned, as i quite unexpectedly have delved into another job that is incredibly meaningful to me but involves more non-profit management...perhaps its meant to be...its funny how life works like that. but in any case, as i think about the relationship between my professional work experience and my artistic interests/endeavors...at the heart of them, the interests aren't so separate. at the core...i am deeply interested in cities. in their entirety. including but not limited to the intersections of physical space with social space and all the socio-political factors and systems that impact the two. i'm interested in rules and structures and how to either improve them for the greater good of ALL people or break them and re-invent. i'm interested in the individual and the collective. identities and bodies and how they move through the world. i'm interested in voices and presence and progress. over the next two years, i hope to find my own voice artistically and be able to develop a practice that makes sense both personally and professionally. over the next couple months there will likely be some formatting/structural changes to accomodate the various things i need to chronicle. but...stay tuned...hopefully it'll get interesting!yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-77344126818314811772011-06-11T10:47:00.000-07:002011-06-11T10:49:52.328-07:00whats out there weekendFree Two-Day Celebration of Chicago’s Parks, Gardens & Public Spaces. Sponsored by <a href="http://tclf.org">The Cultural Landscape Foundation</a>. interesting stuff. check it out!yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-42306010291932813382011-03-20T14:25:00.000-07:002011-03-20T14:59:04.058-07:00green school swoonthanks so much to my colleague and confidant <a href="http://www.architechnophilia.blogspot.com">atechno</a> for putting me on to the <a href="http://www.ted.com/talks">TED</a> talk ("inspiring ideas worth spreading"!) for <a href="http://www.greenschool.org">green school</a><br /><object width="446" height="326"><param name="movie" value="http://video.ted.com/assets/player/swf/EmbedPlayer.swf"></param><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always"/><param name="wmode" value="transparent"></param><param name="bgColor" value="#ffffff"></param> <param name="flashvars" value="vu=http://video.ted.com/talks/dynamic/JohnHardy_2010G-medium.flv&su=http://images.ted.com/images/ted/tedindex/embed-posters/JohnHardy-2010G.embed_thumbnail.jpg&vw=432&vh=240&ap=0&ti=1010&introDuration=15330&adDuration=4000&postAdDuration=830&adKeys=talk=john_hardy_my_green_school_dream;year=2010;theme=a_taste_of_tedglobal_2010;theme=new_on_ted_com;theme=design_like_you_give_a_damn;theme=a_greener_future;event=TEDGlobal+2010;&preAdTag=tconf.ted/embed;tile=1;sz=512x288;" /><embed src="http://video.ted.com/assets/player/swf/EmbedPlayer.swf" pluginspace="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" wmode="transparent" bgColor="#ffffff" width="446" height="326" allowFullScreen="true" allowScriptAccess="always" flashvars="vu=http://video.ted.com/talks/dynamic/JohnHardy_2010G-medium.flv&su=http://images.ted.com/images/ted/tedindex/embed-posters/JohnHardy-2010G.embed_thumbnail.jpg&vw=432&vh=240&ap=0&ti=1010&introDuration=15330&adDuration=4000&postAdDuration=830&adKeys=talk=john_hardy_my_green_school_dream;year=2010;theme=a_taste_of_tedglobal_2010;theme=new_on_ted_com;theme=design_like_you_give_a_damn;theme=a_greener_future;event=TEDGlobal+2010;"></embed></object><br /><br />bell hooks said, "what we cannot imagine, cannot come into being" i am in the process of re-imagining my entire life beyond convention. i'm setting a goal to spend summer 2012 at green school with my boys. so there. i'm willing it to reality.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com1tag:blogger.com,1999:blog-7579005.post-61117603477209465322011-03-05T12:06:00.000-08:002011-03-13T21:53:14.201-07:00music to the masses<iframe width="425" height="344" src="http://www.youtube.com/embed/o9z6wjonoUA?fs=1" frameborder="0" allowFullScreen=""></iframe><br /><br />kudos to yo yo ma for the program <a href="http://www.citizenmusician.org">citizen musician</a>. check out this flash mob through chicago train station! dope. every now and then my alderman leads a drumming flash mob through my neighborhood and it always gets me hyped!yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-58050587930871394142011-01-29T10:16:00.000-08:002011-01-29T17:25:38.498-08:00Vote for Freeform|Deform<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinndQtIty7w3BE0A6pgP4aAfoGy7mfhDsRLTr4J7Nfc2eD7cmIH_jT_vH2cFddtSQ9zjSjcPHYuZaNqAGRfwpIFnptGdQnrG_TwGpUlNc_dFsXrKhrHJ7LmUw2310TVwm0q4Eg_Q/s1600/ffdf.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinndQtIty7w3BE0A6pgP4aAfoGy7mfhDsRLTr4J7Nfc2eD7cmIH_jT_vH2cFddtSQ9zjSjcPHYuZaNqAGRfwpIFnptGdQnrG_TwGpUlNc_dFsXrKhrHJ7LmUw2310TVwm0q4Eg_Q/s320/ffdf.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5567754860765268770" /></a><br /><br />haven't posted here in a while...2011 has brought lots of change! stopping in tho, to spread the word that my college friend <a href="http://www.vigilism.com/">lek</a>'s firm: <a href="http://freeformdeform.com">Freeform|Deform</a> is in third place out of 300 contestants in this Green Home design competition, and needs your vote! weigh in, and them get to first, please & thank you!yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-43118109719738050172010-09-15T16:50:00.000-07:002010-09-15T16:53:27.852-07:00so proud of our students & ACE Mentor Program Chicago<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0vI9o5hTwSSL-WXrqCjIX8n0QKZRwq5R_XY8MG1w2kP7etH5ADn_ZF7h4_9krGc-XgCMd9yQB-pFzhmG8b8l-VhWPyWAVtpJcFHOjtnd8Gps_qwp4Ngn-l-UVtsX-KPDz_U43QA/s1600/tool+shed.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0vI9o5hTwSSL-WXrqCjIX8n0QKZRwq5R_XY8MG1w2kP7etH5ADn_ZF7h4_9krGc-XgCMd9yQB-pFzhmG8b8l-VhWPyWAVtpJcFHOjtnd8Gps_qwp4Ngn-l-UVtsX-KPDz_U43QA/s320/tool+shed.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5517292245308751378" /></a><br /><br />yay for design build education. more <a href="http://acementorchicago.org/">here</a>yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-59650118719503602222010-08-08T07:10:00.000-07:002010-08-08T07:28:25.392-07:00the big hammock"One may think of the hammock as a new suspended common ground where the individual’s weight, size and position are in concert with other bodies on the hammock. It is a social ground." ~hansy better<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBeVLUPv-z9FYXIgH8yunOrt275RPtbfcq-9dNleZXFyqAurcEshnNqZKk5Jnk1U82C_rHmE5v98gUQjvEV3OSCQ1vt3LU6_L9hut_a-HfRHnn7EXqJatC4cz6vMlufA6hSFlRVA/s1600/hammock.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBeVLUPv-z9FYXIgH8yunOrt275RPtbfcq-9dNleZXFyqAurcEshnNqZKk5Jnk1U82C_rHmE5v98gUQjvEV3OSCQ1vt3LU6_L9hut_a-HfRHnn7EXqJatC4cz6vMlufA6hSFlRVA/s320/hammock.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5503045082928481698" /></a><br /><br />my friend hansy is doing this amazing public art project and <a href="http://www.kickstarter.com/projects/bighammock/the-big-hammock">needs support</a>. check it out!<br /><br />also check out <a href="http://awesomefoundation.org/">the awesome foundation</a>, that started it all...yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com2tag:blogger.com,1999:blog-7579005.post-19715115056292995132010-01-08T12:49:00.000-08:002010-01-08T14:10:07.592-08:00RIP + NEA (a lil bad news and a lil good news)in my inbox today, a message about the passing of a pioneering community design professional in seattle that i had the pleasure of working for, Jan Gleason, executive director emeritus of the non-profit design firm environmental works. <br /><br /><a href="www.eworks.org">environmental works </a>,will be honoring Jan's memory by contributing to the <a href="http://homelessproject.org">Homeless Remembrance Project</a>. This is a homeless memorial project that values people and community - values that guided Jan's career. check it out.<br /><br />in other news, someone from the u.s. green building council nominated me for the NEA Foundation’s inaugural Green Prize in Public Education! not sure where that came from but grateful non the less. The NEA Foundation created the inaugural Green Prize in Public Education to recognize and showcase an outstanding public school educator or program that best advances social and environmental responsibility.<br />This annual prize recognizes those public school educators or programs that empower and inspire students to be more socially and environmentally responsible and to become better environmental stewards, creating a sustainable environment for our communities, country and world.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com7tag:blogger.com,1999:blog-7579005.post-7685250007676966822009-11-13T08:57:00.000-08:002009-11-13T11:52:07.259-08:00my wish for design education for america's youth.I popped into the Architecture and Design Education Network (<a href="http://http://www.adenweb.org/">A+DEN</a>) Conference last week at the <a href="http://www.architecture.org">Chicago Architecture Foundation.</a> for Maurice Cox' brainstorm on a national design initiative funded by the <a href="http://www.nea.gov/">NEA</a>...he kicked it off with us all making a wish for america's youth for design education.<br /><br />i wish...that through design, America's youth had the opportunity to influence real-world situations and spaces for the better...and that design gives them the power to voice their opinions, demonstrate leadership and express their identity.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinFGTmQK48ziWNT0zwXE24I7Hw69bSOmOCIF7hb7vTL7J6rHrtKclXRHpSVCba8AAERqC0xnYCr-PY7h_BuvylbfZ9mtHU0I4uN97-7QnmLmpN8CvMC-0hbzGopP1w_FQKpclupw/s1600-h/my+wish.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinFGTmQK48ziWNT0zwXE24I7Hw69bSOmOCIF7hb7vTL7J6rHrtKclXRHpSVCba8AAERqC0xnYCr-PY7h_BuvylbfZ9mtHU0I4uN97-7QnmLmpN8CvMC-0hbzGopP1w_FQKpclupw/s320/my+wish.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5403637481185664866" /></a>yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com4tag:blogger.com,1999:blog-7579005.post-3731690953096391282009-06-30T19:51:00.000-07:002009-06-30T19:54:43.394-07:00"summer school"i'm busy busy busy...too busy to blog it seems =)<br /><br />but i was excited to see one of my schools has their summer architecture program for elementary students up on their website with great images! <br /><br />check it out <a href="http://www.rccachicago.org/photogallery/v/year_by_year/2008_2009/sap/">here</a>.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com1tag:blogger.com,1999:blog-7579005.post-80180757194568592492009-06-13T06:40:00.000-07:002009-06-13T07:29:04.051-07:00this summeri've got plans.<br /> <br />i live here:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg098S0omNbOrKQVghiURzaxNg3XepXB-Xz4KbC4_VXa0rzu0jbdr9rLxORWwiXAW2s1boZdQRgBvvIwcuTqrIj34_q-pxOiVr_rGwAoB5Ivo-vTMq_FKTkS0AuRlQPj5pZCPAyHg/s1600-h/P_0_06268887.JPEG"><img style="cursor:pointer; cursor:hand;width: 320px; height: 250px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg098S0omNbOrKQVghiURzaxNg3XepXB-Xz4KbC4_VXa0rzu0jbdr9rLxORWwiXAW2s1boZdQRgBvvIwcuTqrIj34_q-pxOiVr_rGwAoB5Ivo-vTMq_FKTkS0AuRlQPj5pZCPAyHg/s320/P_0_06268887.JPEG" border="0" alt=""id="BLOGGER_PHOTO_ID_5346807165366693730" /></a><br /><br />next to this:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1q4Qe8JZof95pKhCDZkvHrn4GTCBh4BkJOjiUuSfGoY8Nhl5dK74idLtpIrTfKBoUIPuwq_UJ9Gbn82zSPWsPAsAGmlryH2G8mzh5toSQtV8uDsEONth6ev-RzRVYBUhVq6a3zA/s1600-h/1816+S+Central+Park.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 218px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1q4Qe8JZof95pKhCDZkvHrn4GTCBh4BkJOjiUuSfGoY8Nhl5dK74idLtpIrTfKBoUIPuwq_UJ9Gbn82zSPWsPAsAGmlryH2G8mzh5toSQtV8uDsEONth6ev-RzRVYBUhVq6a3zA/s320/1816+S+Central+Park.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5346807383237630386" /></a><br /><br />okay...it doesnt quite look THAT bad...i'll take another pic...that's from the cook county assessor's website. even, my bldg on the right doesnt look like that any more (pre-shotty-rehab).<br /><br />but the point is, the vacant lot next to me needs some special attention. its privately owned but not cared for, AT ALL. the 3rd floor residents of the 4 flat to the south of it throw full bags of trash off the back porch into it instead of walking down to the alley for the trash cans. the neighbors down the street bring their dog to crap in it and don't pick up the poop. kids in the summer set up a lemonade stand in front of it and leave all their trash afterward. last summer we even had some spontaneous 'parties' on the lot with a conglomeration of neighborhood hoopties at all hours of the morning. sigh. <br /><br />so this summer, project #1 is to treat this as a design problem. i have to live next to this space. one question is, what can i do to make it more aesthetically pleasing...but also i'm thinking of doing some programming in the space. perhaps some impromptu art making with the kids in the neighborhood...it'll give my kids something to do too. of course its not "mine" to do anything with (actually 14" of it is mine...since my fence was mis-installed)...but the owners don't live nearby and never monitor it. i'm thinking guerilla style. saturday morning set up/tear down...flexible, retractable something or other to get some positive activity going here. hmmm. stay tuned.<br /><br />project 2:<br /><br />my sad sad state of a yard. the south side of the lot has an extra 10feet. with no bldg there is is over exposed by the sun and the grass just sizzles. so, i tore half of it out a couple weeks ago...<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdkwMAqg8BinQrDeS_xSeJHVSd7Ha4cWU1MDvX4DlmhYKfyvNm0FFovIWv6I9K6bXcwuq_boNu56OX61Rw9cA0DOjP2_1IyPEzGUPOpfRALHs38b-sTHGAH3MVhXn4e_HcEpj6KQ/s1600-h/yamdig.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 236px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdkwMAqg8BinQrDeS_xSeJHVSd7Ha4cWU1MDvX4DlmhYKfyvNm0FFovIWv6I9K6bXcwuq_boNu56OX61Rw9cA0DOjP2_1IyPEzGUPOpfRALHs38b-sTHGAH3MVhXn4e_HcEpj6KQ/s320/yamdig.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5346817849570240482" /></a><br /><br />i'm going to plant it with native plants, some seating etc. along the long side area...in the back, a "tree house", raised vegetable beds and some kind of enclosure for the back carport which is totally exposed to the alley. also on the front parkway, i think i'll plant some sedges or something.<br /><br />anyhoo for this weekend, step one:<br /><br />3 cubic yards of mulch <br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnEhAl8kR3iEiWyeaSyEBrGb-KotI1UAbLjSCVxtu8T-RPTeMqxcgOgNbBDSsFwZvLUfqpcR1Zhujgbc_Tp9QJCUyFjjCYASptkQJhbQsOjBgbf6a9g2MqAejipzMRiUcJbGocjw/s1600-h/mulch.jpg"><img style="cursor:pointer; cursor:hand;width: 203px; height: 176px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnEhAl8kR3iEiWyeaSyEBrGb-KotI1UAbLjSCVxtu8T-RPTeMqxcgOgNbBDSsFwZvLUfqpcR1Zhujgbc_Tp9QJCUyFjjCYASptkQJhbQsOjBgbf6a9g2MqAejipzMRiUcJbGocjw/s320/mulch.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5346815132961748034" /></a>, install "prairie smoke": <br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUcyxB-5utIEjY5dWDt2uv8EIfODyqfiGnB58UMmHiUuPui8VF_5LjoEKFM2ld4Y37iClaJjW-Yz6bFHPV8EZaQBODyD2Vm6Fj6Q4YHVNz9UPYCjPr4dpTwyRqe_7pR9XApErVw/s1600-h/prairie+smoke.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUcyxB-5utIEjY5dWDt2uv8EIfODyqfiGnB58UMmHiUuPui8VF_5LjoEKFM2ld4Y37iClaJjW-Yz6bFHPV8EZaQBODyD2Vm6Fj6Q4YHVNz9UPYCjPr4dpTwyRqe_7pR9XApErVw/s320/prairie+smoke.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5346814320104774642" /></a>, <br /><br />and some "mountain mint" <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja56Ogi9hTbe9DvW_FMn3gJc1CNi1fJOw-HFEglY9-BY31MCISzbtlyfCAzKBcACpaJMB1uDA4tmRgBgRRC1xxs7hjMxpTUq0Vko65mK9BZ_QNsD65weYgtFU3hC9Zrru_TPluGw/s1600-h/Mountain+Mint.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 249px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja56Ogi9hTbe9DvW_FMn3gJc1CNi1fJOw-HFEglY9-BY31MCISzbtlyfCAzKBcACpaJMB1uDA4tmRgBgRRC1xxs7hjMxpTUq0Vko65mK9BZ_QNsD65weYgtFU3hC9Zrru_TPluGw/s320/Mountain+Mint.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5346815859737222978" /></a><br />all of it will get phased in over the the course of the summer. <br />along the perimiter i'm putting some tall grasses called "little blue-stem":<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPF0xpkP5UVK78iPVosT05EN7lWQ3AA5UiWerj8lpVAy2Ul5LsdSvUsWRKHSDLtk1QZ50eeFygu_5bAydc0YcJCuFgFB9fCeXdiFGTqg6w_4zpLZ3O2dQHtVXLi4-wHPcRtidasQ/s1600-h/little+blue+stem+Schizachyrium+scoparius+%27MinnblueA%27.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPF0xpkP5UVK78iPVosT05EN7lWQ3AA5UiWerj8lpVAy2Ul5LsdSvUsWRKHSDLtk1QZ50eeFygu_5bAydc0YcJCuFgFB9fCeXdiFGTqg6w_4zpLZ3O2dQHtVXLi4-wHPcRtidasQ/s320/little+blue+stem+Schizachyrium+scoparius+%27MinnblueA%27.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5346815345473481538" /></a><br /><br />my colleague <a href="http://www.zapgardens.com">Jaime Zaplotosch</a> from <a href="http://www.openlands.org">openlands</a> will be advising me, b/c i do NOT have a green thumb at all. keep your fingers crossed people!yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com1tag:blogger.com,1999:blog-7579005.post-57329652373669087082009-06-03T07:41:00.000-07:002009-06-03T08:58:18.259-07:00intersectionsbear with me, any exclusively design oriented friends. here's another tangential post about how i process things in my world-view and filter through my identity as a designer, educator, reformer in relation to other issues that i am passionate about. <br /><br />last night in my role as vice chair of the board of directors for <a href="http://www.icah.org">IL Caucus for Adolescent Health</a> i made a presentation to a group of prosepective funders of the Chicago Foundation for Women's/Tide's Catalyst Grant fund which is focused on reproductive justice. they are trying to raise 100k in the next six months. the incoming CFW board chair asked, how to get people to donate to this issue??? to which i responded...its about discussion, dialogue, exposure, and truth telling. it never fails to inspire people. in a sense, blogging is that (though no replacement for <em>in person</em> social networking as my friend <a href="http://www.architectureisfun.com">peter exley</a> so eloquently pointed out later last night at <a href="http://www.pecha-kucha.org/cities/chicago">pecha-kucha vol.9</a>--whoo hoo---but i digress.) we are obsessed with stories...and hopefully those stories spur action.<br /><br />so, in my presentation, i started with a story. my story was about how after doing youth development with young women for about 7 years i got really burnt out emotionally and decided to go to architecture school (ha! architecture school as a vacation...yes, i can hear you laughing HYSTERICALLY). after architecture school i profoundly missed working with and on behalf of young people and ran a summer environmental arts program to quench that thirst. in the course of that program one day during lunch break, a 15 y/o mother was huddled over with a bunch of other girls...i came over to check in and see what was up. well, turns out they were orchestrating an attack...in lay terms, they were planning for her to get "jumped". more specifically, they were making sure that each girl got $10 to kick her in the stomach enough times to make sure that she lost the second baby she was carrying. besides the fact that this was a jarring situation, that i no doubt intervened in...i really had an epiphany about intersections. people and progress are complex and nothing is in a vacuum. NOTHING. there's no such thing as a singular issue...and i am reminded of this daily.<br /><br />i have always considered my youth development work to be community development...and in that i have always used collaborative art-making and a participatory design process (mostly public art) as a tool to addressing and un-packing real-life social issues, i consider my arts and design education work to be community development as well. now in education i feel the same thing. we must understand the intersections of education and the complex lives of students...people...in order to reach them with both rigor AND relevance. reproductive justice is saying that also. people bring their WHOLE selves everywhere they go. you can't talk to a child about physics if they are hungry. you can't teach a child about environmental stewardship and sustainability when they don't have access to sexual health services and are plotting their own violent demise. its gonna come up in the process...and its just ALL connected...and the more we realize this the richer our social change efforts will become. Here is a chart from the organization <a href="http://www.reproductivejustice.org/RJSJ.html">asian communities for reproductive justice</a> that attempts to note the intersections of social justice issues (environmental justice, immigrant rights, worker rights, education, anti-violence etc.)<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqxBCsxA1-10YbBm6p6gicw-yxDEcIuZ7rJ_uQ_4Nc9mfrDWxcmS9Bh5SmBPPEpkTOBm1YIqfym4UWXzfiMhF3gOq1DqlWN9Um_nEjZAeTLGA235njbMQDvBbqhYrG9nzhJxnszg/s1600-h/RJ+graphic.jpg"><img style="cursor:pointer; cursor:hand;width: 154px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqxBCsxA1-10YbBm6p6gicw-yxDEcIuZ7rJ_uQ_4Nc9mfrDWxcmS9Bh5SmBPPEpkTOBm1YIqfym4UWXzfiMhF3gOq1DqlWN9Um_nEjZAeTLGA235njbMQDvBbqhYrG9nzhJxnszg/s320/RJ+graphic.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5343124895333334018" /></a><br /><br />i'm not posting this to preach about RJ. i'm posting it as a model of analytically understanding intersections (yes that is the word of the day), b/c to me, we should see all issues in this way. understanding the other factors and movements influence the issues we care about...we need to forge collaborations and coalitions and work across disciplines at all time in order to make change. (stepping off soap box now).<br /><br />_________________________________________<br /><br />however if in fact anyone IS interested in more more info about RJ, adolescent sexual health, teen parenting, or general philanthropy for women and girls around human rights: economic security (employment and expanded access to<br />economic opportunity); freedom from violence (including domestic violence,<br />sexual assault, stalking, human trafficking and prostitution), and health (access<br />to services and information related to mental, physical and reproductive health).<br /><br />see:<br /><br />the <a href="http://www.cfw.org/Document.Doc?id=231">catalyst fund</a> brochure.<br /><br />visit the <a href="http://www.cfw.org">chicago foundation for women</a> website <br /><br />the donation <a href="https://www.cfw.org/SSLPage.aspx?pid=866">page</a> for the catalyst fund<br /><br />the <a href="http://www.icah.org">ICAH</a> website and their donation page <a href="https://www.thedatabank.com/dpg/350/donate.asp?formid=donate">here</a>.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0tag:blogger.com,1999:blog-7579005.post-18141348003901687762009-06-03T07:07:00.000-07:002009-06-03T07:32:50.738-07:00Diversity in Design: The Diversity Pipeline<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7oLoX9tlDUEn7W73aF8P-HKPsdOFPZpBmDlPQP8pw_nGtwBxkXnjx7gnoZJ9uxj4eHneUG9WA5ZCmngjXZSoapyj4yRiU3t71CCB2UGDZI59mIUlWd7tIr7SRs1KRakgXxCOIIg/s1600-h/CHAD+students.jpg"><img style="cursor:pointer; cursor:hand;width: 300px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7oLoX9tlDUEn7W73aF8P-HKPsdOFPZpBmDlPQP8pw_nGtwBxkXnjx7gnoZJ9uxj4eHneUG9WA5ZCmngjXZSoapyj4yRiU3t71CCB2UGDZI59mIUlWd7tIr7SRs1KRakgXxCOIIg/s320/CHAD+students.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5343106057902879858" /></a><br />to readers of architectural record this <a href="http://archrecord.construction.com/community/diversity/0905/diversitypipeline/DiversityPipeline.asp">article</a> is redundant...but i feel it only natural to post this spotlight on design education. we soooo wanted one of these in chicago. i think the thunder of our efforts was stolen by:<br /><br />A) the stigma of career and technical education (formerly vocational education)...and disbelief that we could actually do something innovative and cutting edge and forecast industry needs in this profession and the professing the PROFOUND value of design based education in developing analytical skills and critical thinking. SIGH. (i'm not bitter!)<br /><br />and <br /><br />B) the centrifugal force of the development of the new chicago ARTS school: "chi-arts"<a href="http://www.chiarts.org"></a>. the arts community of chicago has mobilized and put an ENORMOUS amount of support behind this school (rightfully so...my mom got herself into crazy debt sending me to a private <a href="http://www.chicagoacademyforthearts.org/">art high-school</a> of the same nature after public school proved its limitations in arts education) . at this point i'm not sure if its redundant to have a design school in addition to an arts school...but it really is a missed opportunity to not build on this energy and gross need for design education. if only there were some SIMPLE way to let educational leaders understand the power and value of design. every object, space, text etc. has been designed and people don't realize that this education can lead to that.yamanihttp://www.blogger.com/profile/07056538309503313431noreply@blogger.com0